Sunday, December 1, 2013

Gary Numan: Miracles / The Fear




Format: 12" (red vinyl)

Label: Numa/RRT (NUM 13)

Country: UK?

Year: 1985

Price paid: $6 

Purchased at: The Record Archive, Rochester NY


Gary Numan has put out a TON of stuff over the years. And yes, he's still active. I have some of his early vinyl and a spattering here and there, but I'd in no way consider myself a 'completist.'

The cover art is rather lame, but I was swayed by the red vinyl (it even says RED VINYL on the cover, just to let you know.) Apparently this 12" also came in both black and white, or at least the 7" did. The backside is a cute dedication to his band and road crew for their support during his 'Fury Tour 85.' Based on that, this single may have been exclusively for sale at live gigs? Just guessing here.

This single only reached #49 on the UK charts. Obviously this is a Gary working beyond his 'sell date.'

Cristina Monet: Cristina



Format: LP

Label: ZE

Country: US

Year: 1980

Price paid: $5

Purchased at: The Record Archive, Rochester NY


When I first picked this LP up from the bargain bin I was amused by the cover, but not overly impressed. When I saw it was on the Ze label I quickly held it close to my chest. It's not so much about the 'music' in this case; this one's dripping with history... and valued in the $20-30 range.

Ze is the seminal New York 'No Wave' label that gave Lydia Lunch her big break. Cristina has the distinction of being the FIRST artist to release material on Ze.

Cristina herself was a Harvard dropout who met Ze Record's founder Michael Zilkha while working for the Village Voice. She put out a few low-key LPs and disappeared from the scene. And that's about it. Oh, there's more if you're into minutia:

Everything you could possibly ever want to know about 'Christina', the album

Cristina's backside...

Slow Children: RCA Special Radio Series: 1982 Edition, Volume XVI



Format: LP

Label: RCA

Country: US

Year: 1982

Price paid: $8 

Purchased at: The Record Archive, Rochester NY


In the hierarchy of punk/New Wave it will always be UK>New York>west coast>everything else. Sorry, that's how I roll. That being said there are many fine fine west coast artists from the golden period.

Slow Children are one of those. All but unheard of today, they never hit mainstream success back in the day either. But it wasn't for a lack of trying- they released two full LPs and a bunch of singles. It's my theory that their sound was just a little too shrill/grating to enable them to break into the US charts. Perhaps a little too intellectual/wordy for the average pop-music-buying Joe?

In prepping to write this entry I stumbled across an 'official' band page set up by the lead singer Pal Shazar... but it hasn't been updated since 2006. Digging deeper it appears that Slow Children are still active, sort of. Looks like Shazar married the famous producer Jules Shear (known for his work with such bands as The Bangles, 'Til Tuesday, 10,000 Maniacs, and yes Slow Children) and they've carried on under the name, Shear replacing founding member Andrew Chinich. They've performed as recently as June of this year (2013.) There was some talk a few years ago (2010) of the original duo reforming and releasing a new album. The tracks had been written, but...?

Anyway, as previously stated, Slow Children made nary a dent in the pop music scene. They did however garner enough interest that their label RCA took notice and included them in their 'Radio Series' LP set. The RCA Special Radio Series was a short-lived attempt by the label to promote their artists. The LPs are pre-packaged interviews with music spliced in. Basically it's a whole radio show on a disc, just add commercials and your station has instant programming! Included with the disc is a cheesy mock-handwritten sheet explaining contents and timing, as well as a rather crude looking press release.



Other artists that got the RCA radio series treatment include David Bowie, Lou Reed, and Bow Wow Wow so they're in good company. Supposedly this series was 'NOT FOR SALE' and only meant for promotional purposes. So says the sleeve. But RCA spent so much time on the package/cover design that I wouldn't be surprised if a limited number were released commercially. That or the label REALLY wanted to impress radio DJs. I'll go with the 'impress DJs' theory until I get more info...

This might-sound kinda gay, but I was on an emotional roller coaster with this LP. When I first stumbled upon it in The Record Archive I was super-stoked- great band and weird/obscure release. I put it in the pile and gladly forked over the eight bucks. Once I got home though I began to think that I already had this disc. All my vinyl's still packed, but I'm about 75% sure I do indeed have it already. My heart sank. Then today when I pulled it out to photograph I realized that... it's autographed! Amazing. I love autographs, the artists actually TOUCHED the record themselves.

Andrew Chinich and Pal Shazar autographs

Blondie: Blondie's Hits



Format: LP

Label: Chrysalis

Country: Germany

Year: 1981

Price paid: $10

Place Purchased: The Record Archive, Rochester NY


For some reason Germany felt the need to reinvent the wheel. Badly.

I picked this one up just 'cause I thought it was a cool variant. The art design is crude and near-bootleg in quality. What a naive and inappropriate font choice- it's so huge and smushed together! But that's part of the charm IMO.

Not too much to say about this one really. Wiki lists the US and international versions of 'Best of Blondie,' but does not list this album. The US and international versions have different track orders, and the international has two more tracks than the US version. This German version is identical to the US version... except they switched out one track. Weird, why bother?

Comparison of US (left) and German (right) compilations

This Are Two Tone

 

Format: LP

Label: Chrysalis

Country: US

Year: 1983

Price paid: $10 

Purchased at: The Record Archive, Rochester NY


By the time this compilation was released (1983) the public's love affair with ska was past it's prime. It did see some UK chart action, but despite big names like The Specials and English Beat it only peaked at #51. That being said, it's a nice compilation to have, and a good overview of the 2-Tone sound.

Interestingly the album was released in both pink and blue. I'm quite fond of the striking album art as it captures the feel of an even older (1960s) period.

Album tracks:

A side
The Special AKA - Gangsters
Madness - Madness
The Selecter - On My Radio 
The Beat - Tears of a Clown 
The Specials - Rudi, A Message to You 
The Selecter - Too Much Pressure 
The Bodysnatchers - Too Experienced 
The Beat - Rankin Full Stop 
The Specials - Too Much Too Young

B side
The Selecter - The Selecter 
The Specials - Stereotype 
The Swinging Cats - Mantovani 
The Specials - Do Nothing 
Rico & The Special AKA - Jungle Music 
Rhoda Dakar & The Special AKA - The Boiler 
The Specials - Ghost Town

Chart Wars

 

Format: LP 

Label: Ronco 

Country: UK 

Year: 1982 

Price paid: $8

Purchased at: The Record Archive, Rochester NY


Yay, it's another cheesy Ronco compilation from the UK!

I bought this one JUST for the cover... and oh what a cover it is. Lightsabers, ample doses of neon, pink and blue color-scheme, pseudo punks with bad boots. Delicious. Marvelous. 'To ensure the highest quality reproduction the running times of some titles as originally released have been changed' proclaims the small print on the back- who the fuck cares when the cover is this rad?!?!?

Duran Duran – Rio
Kid Creole And The Coconuts – Stool Pigeon
Bauhaus – Ziggy Stardust
Classix Nouveaux – The End Or The Beginning
Thomas Dolby – She Blinded Me With Science
Sharon Redd – Never Give You Up
Boys Town Gang – Signed, Sealed Delivered (I'm Yours)
Scarlet Party – 101 Damnations
Wham – Young Guns (Go For It)
Piranhas, The Featuring Bob Grover – Zambezi
Eddy Grant – I Don't Wanna Dance
Japan – Life In Tokyo (Special Remix)
Toto Coelo – Dracula's Tango
Carly Simon – Why
A Flock Of Seagulls – Wishing (If I Had A Photograph Of You)
Talk Talk – Talk Talk
Tight Fit – I'm Undecided
Dollar – Videotheque
Gwen Guthrie – It Should Have Been You
Renee And Renato – Save Your Love

Bush Tetras: Things That Go Boom in the Night / Das Ah Riot



Format: 7"

Label: Fetish

Country: UK

Year: 1981

Price paid: $5 

Purchased at: The Record Archive, Rochester NY


Bush Tertras were (and are) a NYC New Wave band with ties to the No Wave scene. Typical of bands from New York, they tend to just do their own thing- chart success be damned.

My wife and I had a brief working relationship with the band and their associated label (RIOR) a few years ago when we had the honor of designing the vinyl album art for their 'Boom in the Night' LP, which was previously only available on CD. They gave us pretty much free reign to do what we wanted. I went back to their early art style and classic logo/typeface (as per today's entry; they had dropped this iconic style and went with something more bland with the older design) for inspiration. This was also just post 9/11 so I wanted something edgy to go along with the title and reflect their urban sound.
But I digress... the art seen here on 'Boom' reflects their rather dark urban funky sound, with a tinge of the tribal/dub championed so well by other groups such as The Slits and New age Steppers.